My field of research is cognitive neuropsychology. The approach is characterized by the study of the effects of brain lesions on cognitive functions. I am interested in musical perception and recognition; emotions; language; prosody; and memory. These functions all have a link with musical cognition, which remains my main field of interest. Aside from brain lesions, we also work with neurologically healthy adults or those with a specific congenital disorder (autism, congenital amusia). Lastly, we use various exploration techniques including, currently, event-related potential (ERP) responses, neuroimaging by magnetic resonance and electrodermal responses. Our team has access to two laboratories: one in the psychology department, in the GRENE research centre, and the other at the Institut universitaire de gériatrie de Montréal. I receive financial support for my research work from the NSERC and the CIHR (MRC) and from the FCAR and FRSQ.

Dr. Simon Rigoulot is a Professor of Neurosciences and Psychology at the University of Québec à Trois-Rivières (UQTR, Dept. of Psychology) and an Associate Professor at Université de Montréal. He studied Cognitive Sciences at Université de Lille (France), and defended his thesis in 2008. His work has been focused on Affective Neurosciences and deals with the neural correlates of the processing of emotional information, in visual and auditory modalities. He is now interested in multimodal emotional information and how individual factors such as cultural background or emotional skills influence this processing. His research methods involve a multi-dimensional approach, combining peripheral (Eye-Tracking, Skin Conductance Response, Heart Rate, Electro-myography…), central (Electro- and Magneto-Encephalography, functional near infrared spectroscopy) and behavioral measures. His projects also aim to shed light on the links between a set of emotional competences (identification, detection, regulation, and utilization) and the development of psychopathologies such as anxiety, depression. In parallel, his interests extended to the study of speech and music, through two specific avenues. The first concerns the role of prosody (tone of voice) in conveying meaningful information, be it emotion or real intention of speakers, such as in irony, lies, innuendos. The second one is about the processing of rhythmic information and the ability of lay participants to synchronize to this type of information, and how attentional and emotional processes can affect this ability.